Karen Selk

In the 1970's Karen Selk wove a scarf using silk yarn which began a journey into a rich and varied career as a textile artist, writer, educator and entrepreneur. A passion to learn about everything silk led her on a quest throughout Asia, which became her silk classroom. That first-hand knowledge gained from her travels was complemented with numerous workshops with internationally acclaimed weavers. She has shared her love of silk worldwide through workshops, lectures and the publication of many articles in textile magazines. Her 35-year fascination with the people and silk caterpillars dwelling in the wild silk forests in India has culminated in her book: In Search of Wild Silk: Exploring a Village Industry in the Jungles of India.

Over the past fifteen years, Karen's fibre focus has evolved from weaving to surface design, bringing a new dimension to her work, but always incorporating silk. She has exhibited and won awards throughout North America with her work being included in collections in the US, Canada and the Philippines. Her work is currently found in Gallery 8 on Salt Spring Island, and she actively participates in group shows facilitated by the Surface Design Association, Studio Art Quilts Associates (SAQA), Island Textile Arts and Salt Spring Island Weavers and Spinners.

Karen lives on Salt Spring Island in the Salish Sea off the coast of BC, with her husband and gardens. The serenity and natural beauty of island life inspire many hours in the studio and garden creating art, writing and growing organic food.

Statement

Walks with my father into the forests and growing vegetables together, nurtured an enduring bond with the plant world. These shared moments instilled a profound reverence for all flora from towering trees to delicate wildflowers, each one a perfect fusion of science, magic and beauty.

Currently my artistic journey involves coaxing vegetation to share its essence through a delicate dance of science and artistry. I capture the pigments of plants onto silk cloth, which has been treated with natural minerals and tannins. Through a process of bundling and steaming, the imprints become indelible, telling stories of the complex botanical world.

In these creations, I aim to draw attention to the intricate interplay between humanity's health and well-being and nurturing our Mother Earth. Each print serves as a tribute to the awe-inspiring diversity of plant life, emphasizing their vital role in our existence. It is a humble reminder of the need to respect and protect these living entities, for without them we would not exist.